Bridal day makeup
A long-wearing base built on prepped, hydrated skin, finished so it holds through humidity, tears and a full evening of portraits.
- Skin prep and priming
- Individual or strip lashes
- Touch-up kit in your shade
Willow & Vale is a small bridal studio built around skin prep, soft-focus texture and colour that reads warm in photographs. One artist, one wedding a day, from the first cup of tea to the last dance.
Every booking is quoted for your date, your party size and how far the venue sits from the studio. Nothing below is a package you have to grow into — start with what you actually need.
A long-wearing base built on prepped, hydrated skin, finished so it holds through humidity, tears and a full evening of portraits.
An unhurried studio session where we map the look against your dress, your venue light and the photographs you have been saving.
Makeup scheduled alongside a hair stylist we work with often, so veils, combs and pins go in without anyone rushing the finish.
Mothers, sisters, bridesmaids and guests, kept in the same warm palette so the group portraits sit together on camera.
Most brides write in long before they have a schedule, a dress or a firm idea of the look. That is the right time — here is what happens next.
Send your date, venue and rough getting-ready time. You will hear back with availability, a quote for your party and a hold on the date while you decide.
We meet in the studio and work through texture, colour and longevity together. You leave with photographs in daylight and a written shade list.
The kit arrives set up and to schedule. Makeup runs in the order your photographer needs, and the touch-up kit goes with whoever is carrying your bag.
A short look at the range — from a barely-there ceremony base to a deeper evening eye for receptions lit by candlelight.
I trained in editorial makeup and moved to weddings because I liked the pace of a getting-ready room: slow at the start, precise at the end, and full of people who matter to you.
My work leans quiet. Skin that still reads as skin, a lash line rather than a lash bar, and colour chosen for the light you will actually stand in. If you want something bolder, say so at the trial — I would rather build it with you than talk you out of it.
If yours is not here, put it in the enquiry form and it will be answered properly rather than briefly.
Most brides book somewhere between six and twelve months out, mainly because the studio only takes one wedding a day. If your date is closer than that, still write in — cancellations and mid-week dates open up more often than you would think.
Yes. On-location mornings are the norm, whether that is a hotel suite, a family home or a getting-ready room at the venue. Travel is quoted with your date so there is nothing to work out later.
It is not compulsory, but it is where the useful conversation happens — how your skin behaves, how much coverage you are comfortable with, and whether the look you saved still feels like you in person. Brides who skip it usually book one closer to the date anyway.
Tell me at the enquiry stage. The kit carries fragrance-free and mineral options, brushes are sanitised between every face, and we can patch test at the trial so nothing is a surprise on the morning.
Allow around ninety minutes for the bride and roughly forty-five for each additional person. The schedule is built backwards from the time your photographer wants you in the dress, with a buffer that usually goes unused.
Usually, as long as there is room in the morning schedule. Larger parties are covered by bringing in a second artist who works from the same palette, so the group still looks consistent.
A few details are enough to check availability and send you a proper quote. No deposit is taken at this stage.